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le Forum d'OMOSC

Le forum est un service destiné aux musiciens professionnels membres d'un orchestre de l'OCSM/OMOSC, de la ROPA ou de l'ICSOM. Inscrivez-vous-y afin d'échanger des renseignements avec vos collègues. Vous aurez le choix de lire les messages sur le Web ou de les faire envoyer directement à votre adresse électronique.

S'il vous plaît contactez-nous pour vous abonner.

le programme d’assurance instruments de l’OMOSC

La date de renouvellement du programme d’assurance instruments de l’omosc est le 1 Décembre de chaque année. Le programme est repris intégralement cette année, si ce n’est quelques augmentations dans les limites des ver- sements en cas d’accident. Les taux et les primes restent les mêmes que l’année dernière. Les membres de l’omosc continuent à profiter d’une réduction de prime.
Voici les principales caractéristiques du programme :
Assurance instruments
Couverture tous risques : franchise de 500 $ avec possibilité de la porter à 1000 $
Dédommagement pour perte de valeur – conditionnel à une évaluation datant de moins de trois ans
1. La perte de valeur à la suite d’une réparation de dom- mages couverts. La police couvre la différence entre l’éva- luation de votre instrument après et avant la réparation.
2. La différence de valeur si votre instrument est rem- placé par un instrument dont la valeur est inférieure à celle qu’avait votre instrument avant les dommages.
Avenants pour :
• location d’instruments de remplacement – 7 500 $
• instruments empruntés – 20 000 $ (avis à l’assureur dans les 48 heures) • instrument nouvellement acquis – 50 000 $ pour 30 jours
• responsabilité civile des entreprises, 1 000 000 $ par si- nistre, 5 000 000 $ globalement
• responsabilité civile des locataires, 100 000 $ • franchise – 500 $

Prestation accident
Somme principale de 25 000 $ (option de 50 000 $).

Depuis mai 2010, hed Insurance and Risk Services fait par- tie de Western Financial Group Insurance Solutions. Pour de plus amples renseignements, veuillez nous contacter par téléphone: Ashley Wrixon, 1-800-665-8990, poste 7664; par courriel : ashley.wrixon[at]westernfgis.ca 

201-600 Empress Street, Winnipeg, Manitoba, R3G 0R5


  • Orchestra Digest: Influencers edition

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    Influencers in the headlines
    The Toronto Symphony named Matthew Loden its new CEO, the Toronto Star reports. Loden currently serves as interim co-president of the Philadelphia Orchestra; Loden will take over from interim CEO Gary Hansen this July. 
    The Philadelphia Orchestra named Matías Tarnopolsky its new President and CEO in March, the NY Times reported; he currently leads Cal Performances at the University of California, Berkeley. 
    The TSO also announced that Simon Rivard, currently the conductor-in-residence for the Thunder Bay Symphony, will take over as their resident conductor next season. CBC reports on the move and a conductor on the rise. 
    Composer, violist, and teacher Quentin Doolittle has died at age 90, the Calgary Herald reports. Doolittle composed more than 60 works, including 4 operas; served as principal violist of the Calgary Philharmonic; founded New Works Calgary; and he was among the University of Calgary's first arts faculty. 
    Elizabeth "Betty" Webster, Orchestra Canada's founding executive officer, has died at age 93, the Hamilton Spectator reports. Webster also directed the Hamilton Philharmonic from 1967 to 1975, and was appointed to the Order of Canada in 1992. Orchestras Canada gives an annual award in her name for contributions to orchestral community. 
    Irwin Hoffman, a past music director of the Vancouver Symphony (1952-1964) and founder of the Florida Orchestra, has died at age 93, Slipped Disc reports
    National Ballet Orchestra of Canada principal percussionist Kristofer Maddigan was nominated for a Juno for best instrumental album, CTV News reports. Maddigan's composed the soundtrack to an indie video game, Cupheads.
    Winners at the 2018 Juno Awards included Jan Lisiecki (Classical album of the year: Large ensemble); Barbara Hannigan (Classical album of the year: vocal or choral); and Jocelyn Morlock (Classical composition of the year). 
    Conductor Noel Edison resigned as artistic director of the Toronto Mendelssohn Choir, after an investigation into sexual misconduct allegations, the Toronto Star reports. Edison had been nominated for a Grammy earlier this year for a recording with the TMC and TSO. 
    The Globe and Mail profiled violinist Benjamin Bowman, the Metropolitan Opera's newly appointed concertmaster. Bowman previously served as associate concertmaster of the Canadian Opera Company Orchestra for ten seasons. (Paywall)
    Financial column
    Quebec's three major orchestra will receive supplemental grants from the province, to be disbursed in supplements over five years, the Montreal Gazette reports. The total amounts of the grants are significant: $7.5m to the Montreal Symphony, $3m to the Quebec Symphony, and $2.5 million to Orchestre MétropolitainLudwig van Montreal also reported on the OM grant (in French), while Slipped Disc noted that OSM receives the most government funding of any North American orchestra. 
    The San Antonio Symphony's season seemed poised to end on January 5th, as the board considered bankruptcy -- only to pull back from the brink, with the help of several key grants. Texas Public Radio reports on a crisis averted at the last possible moment. 
    Eight of Calgary's "cornerstone" arts organizations, including the Calgary Philharmonic, are advocating for increases in municipal arts grants, which have been frozen for eight years, according to a report in the Calgary Herald. The organizations proposed a "sustainability framework" to a city council committee last week. 
    The province of Alberta has set aside $13m to fund an expansion project for Edmonton's Winspear CentreCBC reports. The $53m project is roughly 50% funded, with completion targeted for 2022. 
    A new report released by the U.K. Musicians' Union highlights the financial difficulties even full-time orchestral musicians are facing: salaries averaging 21k pounds (approx. $28,500 USD) coupled with high instrument costs and student loans. The findings were reported by New England Public Radio; the Musicians' Union is launching an awareness campaign
    New seasons, collaborations, and reckonings
    A drag queen, a Star Wars star, and local heroes will headline Symphony Nova Scotia Pops concerts next season, The Signal Halifax reports
    The Hamilton Philharmonic's 2018/19 season, the Spectator reports, opens with Gemma New's favourite symphony (Brahms 1st), features a Bach Festival with Ivars Taurins, and closes with Mahler's 5th. 
    For 2018/19, the Calgary Philharmonic welcomes Renee Fleming and Measha Brueggergosman as guests, and features an Under the Influence Festival, the Calgary Herald reports.
    The Montreal Symphony's new season pays homage to some of the OSM's most iconic recordings, the Montreal Gazette reports, with programs featuring Berlioz, Dukas, Ravel, and Debussy.
    The Thunder Bay Symphony hosted its first Indigenous concert last month, CBC News reported, spearheaded by musician/board member Shy-Anne Hovorka. 
    Few orchestras, if any, touch their cities as deeply as the Baltimore Symphony, the NY Times reports: the BSO's OrchKids program now reaches over 1,300 students in 6 schools. The Times profiles some of those students with an extended photo essay. 
    As #MeToo reckonings have touched classical music organizations in Toronto and elsewhere, Toronto Star critic John Terauds argues that classical music has enabled bad behaviour by prominent male artists, and asserts that we need to change such patterns. Globe and Mail critic Marsha Lederman surveys the reckoning in Toronto's arts scene more broadly, considering how structural power dynamics play a part. 
    Notice a correction, or an orchestra news story I missed? Please email me at  This email address is being protected from spambots. You need JavaScript enabled to view it. , or post to the list yourself! (Remember to include your name and orchestra in your post.) Thank you! - Matt Heller

    Compiled by Matt Heller, with editorial assistance from Francine Schutzman and Robert Fraser. (Errors are Matt's!) Sources include the discussion groups of ICSOM and ROPA. Visit OCSM online at: http://ocsm-omosc.org/index.php. Visit OCSM on Facebook, or tweet us @ocsm-omosc.
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